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演出長度約四十分鐘
演出地點：海事工房2號 門票：MOP 140 演出語言：無語言 13歲或以上人士適合觀看 |
The length of the show is about 40 minutes.
Venue: Navy Yard No.2 Tickets: MOP 140 Performance language: No language Suitable for those aged 13 or over |
Time and Toys我們該往哪裡去，
跟我們從哪裡來， 這到底是一個問題還是兩個問題？ 沒有人能躲避對時間的思考。例如：一個途人拿著行李箱，走在路上，如何分辨他是正在回家抑或是即將出走？難道我們非得要往哪裡去才行？自我的狀態跟群眾的臆測產生錯落，存在是否由我們掌握？當我們決意活在當下，當下是否存在？ 創作人高凱琳由戲劇跨界到形體表達，《Time and Toys》是她首個個人創作《Almost》的第二階段呈現，繼續拆解內心對時間的焦慮，用她那具發育完滿卻尚未適應的身體，呈現她感受到的當下，一個遊離、虛幻、又荒誕的錯亂時空。 |
Time and ToysWhere shall we go?
Where did we come from? Are these two different questions or just the same inquiry in different ways? No one can escape thinking about time. For example, when we see a traveller with luggage, how can we tell if s/he is on his/her way back home or just departing? Is it a must for us to really go somewhere? A person’s actual conditions are likely to be different from what others conjecture. Do we really have a grip on our life? We may well decide to live in the present, but does “the present” really exist? Helen Ko Hoi Lam crosses over from theatre to physical expression. Time and Toys is a sequel to her first creation, Almost, as she continues to decode the anxiety towards time. With her fully-grown body to which she is still adapting, Helen will reveal what she feels in the present moment, a chaotic time-space that is dissociating, illusory and absurd. |
高凱琳出生於澳門／於台灣留學／現於港台澳三地短暫居留
畢業於國立臺北藝術大學戲劇學系，主修表演，2018年獲獎學金赴丹麥歐丁劇場學習及交流，本年獲國立臺北藝術大學舞蹈研究所錄取，主修舞蹈創作。
近年作品： 香港大館舞蹈季《198491牆後的赤祼信息》邱加希 作品《圄》、澳門夢劇社《兩韓統一》等。 福島章嗣出生於日本／於日本升學／現居澳門來自日本的居澳結他手、作曲家和音效設計師，早年在福岡組織了“Climb Your Mind”樂隊並開始其音樂生涯。婚後，他來到澳門展開新旅程，加入澳門著名樂隊刃記作結他手。他同時制作電子和後古典音樂，為電影、劇場和視覺作品配樂。
2017年推出處女獨立專輯《Monologue EP》(澳門獨立音樂廠牌4daz-le Record)，揉合精致的古典音樂元素和電子節奏，帶來迷人的聲音。 陳家彥出生於澳門／於台灣留學／現居澳門2017年畢業於臺北藝術大學，主修舞臺設計。作品包括第二十九屆澳門藝術節《迴遊》佈景及服裝設計、第二十八屆澳門藝術節《遷移者之歌》美術指導、2016年臺北藝術大學戲劇學院百一級畢業製作《食物升降機》舞臺設計、2015年臺北藝術大學戲劇學院秋季公演《此時此地》影像助理等。
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Helen, Ko Hoi LamBorn in Macao/ Studied in Taiwan/ Lives between Hong Kong, Taiwan and Macao
Graduated from the School of Theatre Arts, Taipei National University of the Arts (TNUA), majoring in performance. In 2018, she studied at the Odin Teatret in Denmark on scholarship, before studying dance creation in TNUA’s Graduate Institute of Dance in 2019.
Her recent works include The Message Behind The Wall by 198491 at Tai Kwun in Hong Kong, Confine – a piece of KT, Yau Ka Hei and The Reunification of the Two Koreas with Dream Theater. Akitsugu FukushimaBorn in Japan/ Studied in Japan/ Lives in MacaoAki, is a Japanese guitarist, composer, sounder designer, based in Macao. Originally from Fukuoka, Japan, Aki started his professional career as a musician performing with his own band “Climb Your Mind”. After getting married, he chose to follow a new and exciting adventure, by leaving Japan to move to Macau. In 2013, he became the guitarist for Macau’s popular rock band BLADEMARK. Besides playing in the band, Aki, as a solo artist, composes and performs electronic and post-classical music, and produces music for theaters, films and visual works.
In 2017, he released his debut solo work, “Monologue EP” (4daz-le record, Macau) - a cinematic album that features delicate classical music elements infused with exquisite electronic rhythms and mesmerizing ambient sounds. Kaby ChanBorn in Macao/ Studied in Taiwan/ Lives in MacaoChan graduated in Stage Design from Taipei National University of the Arts (TNUA) in 2017. She is the artistic director of Songs of Migrants in the 28th Macao Arts Festival, stage designer of The Dumb Waiter (2016), a graduation production by the 110th Graduating Class of the School of Theatre Arts of TNUA, and worked as an image assistant for The Here & Now (2015), an autumn performance also by the School of Theatre Arts of TNUA.
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創作概念、演出：高凱琳
音樂設計、演出：福島章嗣 佈景及造型設計：陳家彥 創作顧問：譚智泉 燈光設計：杜國康 音響設計：陳銘健 舞台管理：米製作 執行舞台監督：湯詩敏 *作品為孵化項目「非常一搏Give it a shot」之第二階段呈現。 |
Concept / performance: Helen, Ko Hoi Lam
Music Design / performance: Akitsugu fukushima Set and costume Design: Kaby Chan Artistic consultant: Johnny, Tam Chi Chun Lighting Designer: To Kuok Hong Sound Engineer: Chan Ming Kin Stage Management: MIIS production Duty Stage Management: Sarah Tong *The work is a second presentation of the incubation project 'Give it a shot.' |
